Observations of affirmations provided by December 3rd premie labor exercise
1) My intention for the evening ritual was to occupy that which was empty with that which fulfills. Succeeded in locating a vacancy, rendering the proximities of cavity walls and setting the ambiance to welcome coven squads from east, west, north and south.
2) During a period of pure play on space and volume, we whipped the ethereal sounds and grooves of PYRAMYTH's percussions, twits and slides from a stringy texture into a foam of marshmallows and eggwhite -- the space was a massive meringue. Lifting our arms was difficult and spongey. Lifting our feet we stretched sticky tacky.
3) In attendance were [the unnamed and the undead] and the sons of lords and lepers; the usual watchers who prefer my pussy's work to that of idle hands; the abundant feeder; the finicky fool; my great-grandfather who had participated in his first shamanic ritual over a hundred years ago; and schools of dolphins and narwhals.
4) When sending intentioned charges, employ an authentic smile to accelerate and amplify the charge's vibratory reach and resonance. Avoid clenching the jaw or furrowing the brow in a classic Care Bear Stare -- the Care-Bare Stair is less effective and costs more energy than holding a smile for a mile.
5) The Banishment Ritual is one sexy sexy striptease: burlesque in rhythm, bordello in blews. It marks the separation between ordinary walking and bardo walking. Performed in silence, exceptionally sensual, impossible to ignore or dismiss, a single glowing dance to welcome the weary warriors: Come Be Entertained! We Honor Your Hour In Our House. And they came, beaconed by the twisting amber flame of art's vehicle, across vast darknesses and vacuums, to rest their alien spines and partake in jubilant celebration of The Real Work.
6) Ejaculate was slick and lightly viscous, flavored guava with a hint of sweet potato. Female ejaculate was hot and oily, clarifying the menses a translucent sanguinity. There were no signs of clotting, no symptoms of trauma.
7) In an open jam session, participants benefit greatly from stepping back to simply listen, allowing one or more voices to build into a movement, then initiating support to the movement by consciously extending the inspiration into instrumentations. In an open jam session, the diva is useless and can afford to recline, making room for a chorus fully vested and inline with the sum of us over the one of us.
Friday, December 5, 2008
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